ERIN HUNT

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Visual Arts News Magazine Vol. 48, No. 1, Spring/Summer 2026

Hold it Just So

by Rose Bouthillier
Text only version

THROUGH DISTANT TREES
Galerie Eli Kerr
January 24 - March 7, 2026

Alexis Auréoline, Eric Allan Cameron, Erin Hunt, Kristen Keegan
Exhibition Text
photos: Atlas Documentation

PLANS FOR THE FUTURE
J.K. Contemporary
October 18 - November 30, 2025
Press Release

SOUNDS OF THINGS
Bonavista Biennale, Host 2023
August 19 - September 17, 2023
Curated by Rose Bouthillier and Ryan Rice
Install photos: Brian Ricks

SYMPOEISIS // FRUITING BODIES
the plumb, Toronto
August 4 - September 3, 2023

Peter Campbell, SALT (Rachel Crummey and Tara Dougans), Erin Hunt, Sara Maston, Joy Wong, and Thea Yabut
With sound by Luke Loseth
Curated by Rachel Crummey and Tara Dougans, with support from Emma Welch
Exhibition Text by Ashley Culver
Photos: LF Documentation

SAM’S HEAD
Long Studio, Fogo Island
August 2014
Silke Otto-Knapp & Erin Hunt

Postcard by Janice Kerbel

VERDITER

Wildflower Remedies & Subtle Ecologies

Verditer is an extension of my art practice that emerged beginning in 2017 from an inquiry into the relationship between the subtle body and invisible patterns in nature. This work is a container for expanded listening that informs my current material practice and approach as a painter. Through it I explore the imaginal correspondences between the somatic, emotional and ecological.

A note about the botanical elements in some of my work:
I approach colour a bit like sound in my paintings, constructing harmonic or playful relationships in distinct material layers. Some of the initial layers include more subtle elements like water prepared homeopathically with a particular wildflower or mineral, a method that has emerged in recent years, informed by my research and contemplative practice with local plants (see above). In my paintings, these layers can act like a subtle experimental structure or feeling tone for subsequent colour and material decisions. They help me set an intention for my attention to be more spacious or specifically attuned while making the work.